Ruth Mitchell, “Seven Deadly Sins”, “Girl on Canvas. Dziewczyna na płótnie”, Warsaw, 2013, pp. 232-249.
Piotr Lachmann, “Ghost Pantomime”, “Girl on Canvas. Dziewczyna na płótnie”, Warsaw, 2013, pp. 264-277.
Emilie Buri, “A Stranger from Berlin U-Bahn”, “Girl on Canvas. Dziewczyna na płótnie”, Warsaw, 2013, pp. 280-285.
Jerzy Szygiel, “Praying to an Icon”, “Girl on Canvas. Dziewczyna na płótnie”, Warsaw, 2013, pp. 288-293.
Ewa Łączyńska-Widz, “On Apolonia, who Stands on Both Sides of the Story”, “Girl on Canvas. Dziewczyna na płótnie”, Warsaw, 2013, pp. 296-303.
Daniela Pfeil, “Sweet Revenge of the Bitter Lady Goldfish”, “Girl on Canvas. Dziewczyna na płótnie”, Warsaw, 2013, pp. 304-309.
Michał Jachuła, “The Final Scene”, “Girl on Canvas. Dziewczyna na płótnie”, Warsaw, 2013, pp. 312-321.
Adam Jastrzębski aka Ixi Color, “Queen of Animals Mika III”, “Girl on Canvas. Dziewczyna na płótnie”, Warsaw, 2013, pp. 324-327.
Barbara Kępa, “The Potential of a Lover”, “Format”, No. 66 (3/2013), pp. 68-69.
Katarzyna Nalezińska, “Rose Is a Rose – Exhibition Guide”, “Rose Is a Rose”, Galeria BWA in Tarnów, 2013, pp. 76-81.
Agata Dąbrowska, “Sharing Is the New Having. Design and the Art of Money”, “Kultura Liberalna”, 4.06.2013.
Stach Szabłowski, “Collage – reactivation”, „Zwierciadło” 5/2013, pp. 166-168.
“Audacious Theft in a Gallery at Krakowskie Przedmieście”, “WP.PL”, “Gazeta Wyborcza”, “TVN 24” and others, 11.-13.03.2013.
Alek Hudzik, “Time of Collage in Kordegarda”, “Dwutygodnik”, 3/2013.
Barbara Kępa, “Pola Dwurnik”, interview for “Blick” by “berlinerpool”, 13.02.2013.
Katarzyna Nalezińska, “How a Jobless Girl Can Afford Works by Pola Dwurnik and Rafał Bujnowski?”, “Art Bazaar”, 19.12.2012.
Monika Małkowska, “Money for Contemplation”, „Plus Minus Tygodnik Rzeczpospolitej”, 20-21.10.2012, p. 14.
“Men of My Life”, interview by Małgorzata Czyńska, „Wysokie Obcasy”, 15.09.2012, pp. 64-68.
Stanisław Ligas, “Three Times Yes”, “Trendy”, No. 3 (29)/2012, p. 71.
“In Pola Dwurnik’s Erotic Garden”, interview by Gabriela Cagiel, “Gazeta Wyborcza” – Kraków, 21.07.2012.
Cezary Polak, “Her Men Are Animals”, Kultura, „Dziennik Gazeta Prawna”, 6.07.2012, p. 25.
“Painting is my Primaeval, Natural Way of Communicating”, interview by Monika Koziol, “Pola Dwurnik. Apolonia’s Erotic Garden”, Museum of Contemporary Art in Kraków, 2012, pp. 12-15.
“Berlin by Pola Dwurnik”, interview by Krzysztof Visconti, Portal Point, January 2011.
Patrycja Jastrzębska, „Pola Dwurnik – Regarding the Death of Others”, ArtInfo.pl, 17.02.2010.
“Catharsis Through the Touch of Matter”, interview by Agnieszka Rayzacher, for the exhibition “Regarding the Death of Others”, Lokal_30 Gallery, Warsaw, January 2010.
Monika Kozioł, “I Am a Contemporary Artist…”, “Polish Alphabet 1”, BWA Galeria Miejska in Tarnów, Tarnów, 2009, pp. 42-49.
“You Live Within the Projects”, interview by Magdalena Rybak, „Sens”, No. 4/2009 (08-09/2009), pp. 126-127.
Karolina Kolenda, “The Seven Magnificent by Pola Dwurnik”, “Obieg”, 16.02.2009.
Adam Mazur, “Gossip Column”, “Pola Dwurnik. Gossip Column”, Center for Contemporary Art Ujazdowski Castle, Warsaw, 2008, pp. 5-7.
“Can Anything Else Be Added?”, interview by Andrzej Biernowski, “Pola Dwurnik. Gossip Column”, Center for Contemporary Art Ujazdowski Castle, Warsaw, 2008, pp. 9-13.
“Pola Dwurnik and the Seven Magnificent”, “Magnes”, 18.12.2008 (No. 295).
Joanna Weryńska, “Sasnal likes airplanes and Bujnowski cigarettes”, “Gazeta Krakowska” (Polska), 27.11.2008, p. 20.
Daria Maroń, “Ikonography in Pola Dwurnik’s Works”, “Exit”, No. 2(74)/2008, pp. 4806-4809.
Alicja Wysocka, “Breakfast Stories”, “Exklusiv”, No. 64 (05/2008), p. 62.
Anna Brzezińska, “Art Wall with Prudential”, “Życie Warszawy”, March 7, 2008.
Katarzyna Nowakowska, “Drawing Diary”, “Dziennik”, Dec 18, 2007 (No. 295/2007), p. 24.
Nicholas Kulish, “Wired Youth Aim to Sway Poland’s Vote”, “The New York Times”, Oct 21, 2007 (No. 54,104), p. 3.
Nicholas Kulish, “Youths fight election lethargy in Poland”, “International Herald Tribune”, Oct 19, 2007.
Anna Szczęsna, “Do Not Accept the Social Indiference!”, “Pistacja”, 06/2007 (Oct 2007).
Agnieszka Kowalska, “Artists Say: Vote!”, “Gazeta Wyborcza”, Oct 12, 2007, p. 23.
“Go to the Elections, it is the Eleventh Hour”, interview by Agnieszka Kowalska, “Gazeta Wyborcza” (“Stołeczna”), Sept 28, 2007, p. 2.
Emilie Buri, “The Poetry of the Hidden”, “Pola Dwurnik. Living in Basel”, Christoph Merian Verlag, Basel, 2007, pp. 3-8.
Kaja Pawełek, “Six Cubes to Play the Gallery Game”, folder-poster of the exhibition “Apolonia Art Gallery”, Center for Contemporary Art Ujazdowski Castle, Warsaw, June 2007.
“I Am a Sinner” – interview by Beata Zimnicka, “Twój Styl”, 05/2007 (No. 202), p. 149.
“On Hormons and Pride”, “Notes.na.6.tygodni”, No. 31 (April 2007), pp. 26-27.
“Teenager with a Hormonal Storm” – interview by Artur Kinruwd, text for the exhibition “I Had a Boyfriend from Zielona”, Galeria BWA in Zielona Góra, March 2007.
“Pola Dwurnik: Without Prudish”, interview by Hanna Rydlewska, “Exklusiv”, No. 50 (3/2007).
“Choosing the Right Brain”, interview by Bogna Świątkowska, “Notes.na.6.tygodni”, No. 30 (2007).
“Pola Dwurnik”, interview by Barbara Strebel, “ArtCast”, podcast based in Basel (http://www.artcast.ch), Sept 10, 2005.
Adrian Aebi, “In Basel und in der Zeit – Pola Dwurnik im Ausstellungsraum Klingental”, “Bazkulturmagazin” (“Basler Zeitung”), August 11, 2005, pp. 22-23.
Eugene Datta, text in the catalogue “Pola Dwurnik: Painting/Malerei”, Basel 2005.
Robert Schiess, text in the catalogue “Pola Dwurnik: Painting/Malerei”, Basel 2005.
Adam Gawęda, “The Ordinary Life – with a Cartoon. Artists from Raster and their Cartoons”, “Zeszyty Komiksowe”, October 2004 (No. 2), pp. 51-52.
Katarzyna Rzehak, “Drawings Listened In”, “Twój Styl”, 03/2004 (No. 164).
Jacek Tomczuk, “City Magazine”, 02/2004.
Paweł Dunin-Wąsowicz, “In the Common Room of Art”, “Przekrój”, 02/3055 (11.01.2004).
Magdalena Ujma, “Double Frankness”, Bunkier Sztuki online.
Anna Bugajska, “Portraits of Banknotes”, “Gazeta Wyborcza”/Cracow, 31.12.2003.
“Pola Dwurnik and Banknotes”, “Dziennik Polski”, 16.12.2003 (No. 292/18085).
“Co jest grane”, “Gazeta Wyborcza” – Kraków, 11.12.2003.
Stach Szabłowski, “City Magazine”, 04/2003.
Marcin Hołota, “Dlaczego”, 01/2003, p. 37.
Agnieszka Maria Wasieczko, “Elle”, 01/2003.
Tomasz Fudala, “Great Poles in the Time of Inflation”, text in the catalogue “Pola Dwurnik. Inflacja”, Galeria Zakręt, 12.2002.
Interview by Adam Jastrzębski in the catalogue “Pola Dwurnik. Inflacja”, Galeria Zakręt, 12.2002.
Dorota Kalinowska, “Na zakręcie”, “Uniwersytet”, 12/2002.
Agnieszka Kowalska, “Sztuka na zakręcie”, “Gazeta Stołeczna”, 17.10.2002.
Stach Szabłowski, “Nowa galeria. Energia Zakrętu”, “City Magazine”, 10/2002.
“Hommage à Paul Klee”, National Museum in Warsaw, 2001, pp. 39-41.
Krzysztof Biegała, review of my movie “The Room”, “Alo!Alo!”, 1998.
Ewa Piasecka, interview in the book “Jabłko od Jabłoni”, Wydawnictwo Łódzkie, 1990, pp. 164-167.
“Pracownia Dziekanka 1976-1987”, ed. by T. Sikorski, Academy of Fine Arts, Warsaw, 1990, pp. 80-81.